Virtual Teams Can Outperform Traditional Teams

Virtual Teams Can Outperform Traditional Teams by Keith Ferrazzi

When I visit companies, it’s one of the most frequent complaints I hear: “I’m working on a project with people I’ve never met.” Or: “This virtual team I’m on is a disaster — nobody really knows what the other is doing.” Many of us have found ourselves thrown onto project teams in which we must work with others across several time zones and even different countries. It’s common to assume that such dispersion will necessarily lead to big inefficiencies and degraded performance. Not so fast!

 

Teams can be highly effective even when members have never met in person. In fact, virtual teams can actually outperform traditional co-located groups. An extensive study of 80 software development teams with programmers from the United States, South America, Europe, and Asia proved that virtual teams can lead to increased efficiency and better business results, but only if they are managed to maximize the potential benefits while minimizing the disadvantages. Why can virtual project teams outperform traditional ones? There are several reasons, including:

 

They can enlist the best expertise from any location. This is particularly important for large corporations like General Electric, IBM, and SAP that have research labs and “centers of excellence” scattered around the world.

They can reduce the cycle time of projects by shrewd use of a “follow the sun” schedule. At the close of their day, team members in Boston, say, can leave a list of “to do” items for their counterparts in Shanghai, who will then work on resolving those issues while the Bostonians are fast asleep.

They can tap a diversity of input, especially from those individuals who work closest to customers in overseas markets.

But here’s the rub. Dispersed teams can outperform co-located ones only if — and this is a big “if” — they are managed properly. Here are a few guidelines:

1. Put processes in place. Of course, all project teams need the right processes to control how work gets done — coordinating who will do what, how decisions will be made, what will happen when people aren’t pulling their weight, and so on. But co-located teams can sometimes get away with sloppy management, whereas virtual teams have little margin for error. Often times, for instance, a team leader will be unaware of a problem until it’s festered and become a major crisis. To prevent that, the team should use two or three metrics to chart its progress. For a software project, useful metrics might be lines of code that have been written and bugs per line.

 

2. Communicate less — but in the right ways. Many managers of virtual teams mistakenly assume that more communications — weekly project meetings, e-mail updates, etc. — are better to ensure that everyone is on the same page. But this can easily lead to an information overload that people tune out. Instead, the key is the quality and predictability of the communications. For example, a common problem in virtual teams is that some members don’t respond promptly to e-mails, leaving important issues to slip through the cracks. Team rules and policies can specify how quickly people need to respond to any specific queries or requests for action, and list the steps that should be taken to follow-up when someone has been slow to respond.

 

3. Keep conflicts focused on tasks. Team conflict is not necessarily bad, because it can eventually lead to better solutions. But conflicts too easily escalate and become personal within virtual teams because of a lack of empathy, trust, and camaraderie among the dispersed members. That’s why some experts recommend various social-bonding practices, such as team members taking virtual coffee breaks together, exchanging personal as well as professional information through a social-media platform, and doing a quick “Take 5” before meetings so that team people can share what’s going on in their lives.

 

Working across time zones (and even across different cultures and languages) does not necessarily result in a drop in performance. Indeed, it can lead to increased efficiency and better business results if the dispersion is managed such that it becomes a valuable advantage, rather than a crippling liability.

 

This post is part of the HBR Insight Center on The Secrets of Great Teams.


Full-time motivation for part-time employees

Full-time motivation for part-time employees by Fortune

October 19, 2011: 5:00 AM ET

Jessica Herrin, CEO and founder of Stella & Dot, offers some advice on how to keep a freelance workforce moving.

Interview By Beth Kowitt, writer-reporter

The expert: Jessica Herrin, CEO and founder of Stella & Dot, the $104 million seller of jewelry and accessories

FORTUNE — Getting your regular employees fired up about their jobs is hard enough. But try doing it when they’re working from home and part-time. For Jessica Herrin, that’s business as usual at Stella & Dot, where the onetime WeddingChannel.com co-founder now oversees 10,000 mostly part-time stylists. They sell accessories online and through in-home trunk shows. The key to motivating a freelance workforce? Treat them like the professionals that they are. “Recognition is the most powerful currency you have, and it costs you nothing,” she says. That’s why she makes a point of hiring managers who have a natural sense of gratitude. “It is the careful art of catching somebody doing something good that you want them to repeat,” she adds. Here’s her advice.

Provide your own training

We have an online university, so we’re providing professional development, just like great companies provide continued learning and the opportunity to grow. We write all of our own content because a lot of what’s out there isn’t right in tone. It talks down to people. When someone takes our quiz and gets an answer right, a little video flies in that says, “You got it, baby, you’re ready to go.” It gives salespeople a lot of instant gratification. Just because we’re professional doesn’t mean that we’re not fun too.

Get to know your employees

Although my stylists rarely come into my office, I personally e-mail and call at least 10 stylists every day. I text them, I post on their Facebook page. Part of my regular to-do list is to find and celebrate successes. When we promote someone, we send flowers, champagne, or chocolates. When was the last time your boss sent you flowers and said, “I appreciate you”? It’s so simple, and it goes so far with people.

Top performers trade tips

Rather than mandate how a successful employee acts, we let them tell us — and everyone else — what works. We have a stylist tell her own story into a webcam, standing in her home, getting recognized with her own world in the background, giving a message to everyone. I like to tell people that it’s not like you have the monopoly on busy. This person’s got five kids, just so you know, and look at what she did. Here’s how she did it, and you can do it too. We try to specifically have a takeaway. For example, if they had an amazing month, what were the challenges they had to overcome to get there? When we recognize people we do it in a way that’s not preachy or demoralizing to others.

 

This article is from the October 17, 2011 issue of Fortune.


50 MOST POWERFUL WOMEN IN BUSINESS by Fortune

While I was reading Fortune magazine, I found a very interesting article ” 50 MOST POWERFUL WOMEN IN BUSINESS 2011″.

From my curiosity, I made an average of these powerful women’s age.

Their average age was : 52.12

 

It stopped me from working and made me think.

I have tendency that I want to see the results or outcome in a short period time.

While I was working on projects, learning software even working out for my diet. Of course, Career was not exceptional.

 

As a young career woman who is in mid-20s, I understand that this career phage(20s) is all about exploration. people begin to crystalize, specify and implement and occupational choice. Different positions and roles are tried and explored.

People(usually senior professional) around me usually say to me, ” you are already ahead Jay! because you know WHAT YOU WANT.!”

I thought I understood what that meant, but today, I realized I didn’t.

It was not long time ago that I found out my area “Cross Culture/Intercultural training”  for my career where  I’m so excited about and so passionate about. Since then, I’ve been exploring all different opportunities to build my expertise around it.

While learning, I found myself not enough.

 

And I realized, I was comparing myself to senior managers and executives who have been working in this industry and built themselves as expert.

So it is not surprise that I feel that I’m not enough!!

 

If you are in 20s and struggling with your career,

Read this! You will feel much relaxed.

http://blog.timesunion.com/careers/the-5-career-stages/385/

1. Growth – The early years (4 to 13 years old) is a time when the individual first becomes aware of the future.  People start to find ways to develop competencies and to achieve in order to increase control over their life.

 

2. Exploration – From the early teens to mid-twenties, people begin to crystallize, specify and implement an occupational choice.  Different roles are tried and various occupational options are explored though school, leisure, part-time work and volunteering.  “Trial jobs” may be tested before more firmly finding a more stable and appropriate fit.

 

3. Establishment – In the mid-twenties through mid-forties, typically a suitable field is selected and efforts are made to secure a long-term place in the chosen career.  Young adulthood tends to be a time for stabilizing, consolidating, building momentum and moving up.  Obtaining certifications, credentials, and advanced degrees may be the norm.

 

4. Maintenance – This stage usually happens in the mid-forties to mid-sixties and is characterized by constancy: 1) Holding on (stagnating or plateauing), or 2) Keeping up (updating or enriching).  Continuity, stress, safety and stability tend to be the standard.  Sometimes people feel risk adverse with various career options which may lead to frustration or even  depression.  In middle adulthood we may ask ourselves, “What have I done with my life? or Is this all there is? or even What do I truly want?”  For men, state of health or career accomplishment may predominate.  Women sometimes perceive this period as an opportunity to pursue new personal or professional goals now that their nurturing role has peaked.

 

5. Disengagement – The mid-sixties is typically marked by decelerating from formal employment to finding new roles with a view to retirement.  Baby Boomers are teaching us that this stage should be more appropriately named “Re-inventment.”  They are completely redesigning the notion of “retirement” preferring to work in some form while pursuing new or renewed outside interests.  In later adulthood, there may be a need to assist or mentor younger members of society or seek self-employment.

 

50 MOST POWERFUL WOMEN IN BUSINESS 2011 by Fortune

 

Rank   Name  Company

1          Irene Rosenfeld         Kraft Foods

2          Indra Nooyi    PepsiCo.

3          Patricia Woertz          Archer Daniels Midland

4          Ellen Kullman            DuPont

5          Angela Braly  Wellpoint

6          Andrea Jung  Avon Products

7          Ginni Rometty            IBM

8          Ursula Burns Xerox

9          Meg Whitman            Hewlett-Packard

10       Sherilyn McCoy         Johnson & Johnson

11       Safra Catz       Oracle

12       Sheryl Sandberg       Facebook

13       Melanie Healey          Procter & Gamble

14       Anne Sweeney           The Walt Disney Company

15       Carol Meyrowitz        The TJX Companies

16       Oprah Winfrey          Harpo

17       Jan Fields       McDonalds

18       Abigail Johnson         Fidelity Investments

19       Susan Wagner           BlackRock

20       Charlene Begley        General Electric

21       Denise Morrison        Campbell Soup

22       Susan Chambers       Wal-Mart Stores

23       Rosalind Brewer        Wal-Mart

24       Mary Callahan Erdoes          J.P. Morgan Chase

25       Deirdre Connelly       GlaxoSmithKline

26       Pamela Nicholson      Enterprise Holdings

27       Marillyn Hewson       Lockheed Martin

28       Susan Wojcicki           Google

29       Joanne Maguire         Lockheed Martin

30       Gail Boudreaux          UnitedHealth Group

31       Gina Drosos    Procter & Gamble

32       Kathleen Murphy     Fidelity Investments

33       Linda Gooden            Lockheed Martin

34       Linda Hudson            BAE Systems, Inc.

35       Lynn Elsenhans         Sunoco

36       Bonnie Hammer        Comcast

37       Maggie Wilderotter   Frontier Communications

38       Marissa Mayer           Google

39       Bridget Van Kralingen          IBM

40       Abbe Raven   A&E Television Networks

41       Phebe Novakovic       General Dynamics

42       Ilene Gordon  Corn Products Intl.

43       Lauren Zalaznick       Comcast

44       Laura Sen       BJ’s Wholesale Club

45       Debra Reed    Sempra Energy

46       Shari Ballard  Best Buy

47       Deanna Mulligan       The Guardian Life Insurance Company of America

48       Meredith Whitney    Meredith Whitney Advisors

49       Beth Mooney KeyCorp

50       Amy Pascal     Sony

More:

 

http://money.cnn.com/magazines/fortune/most-powerful-women/2011/full_list/


[창간기획: K-컬쳐, 세계를 흔든다①-2]유럽 작곡가, 미국 댄서 참여한 ‘글로벌 프로젝트’

유럽소녀들, 동방신기·샤이니에 꽂힌 까닭은

[창간기획: K-컬쳐, 세계를 흔든다①-2]유럽 작곡가, 미국 댄서 참여한 ‘글로벌 프로젝트’

머니투데이 파리=김건우 기자|입력 2011.06.17 08:30|조회 165582|소셜댓글 : 2

 

 

지난 10일(현지시간) 오후 프랑스 파리의 제니트 드 파리(Le Zenith de Paris). {에스엠}의 공연을 보러 온 한 고등학생 소녀가 정성스레 적은 쪽지를 기자에게 건넸다. 프랑스어로 “샤이니 방문해줘서 너무 고마워요. 또 와주세요”라고 써 있었다. 이 팬은 공연 중 ‘누난 너무 예뻐’, ‘루시퍼’ 등의 노래와 춤을 따라하며 애정을 과시했다. 

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지난 10~11일 프랑스 파리에서 열린 ‘SM 타운 라이브 월드 투어 인 파리’는 프랑스 뿐 아니라 스페인, 스웨덴, 독일, 이탈리아 등 유럽 각지의 한류 열풍을 한 눈에 확인할 수 있는 자리였다. 관객 대부분이 다양한 국적과 인종의 10~20대 소녀 팬들이었다. 

유럽의 한류 열풍의 중심에는 한국 동포들이 아닌 현지 유럽인들이 자리잡고 있다. 현지에서 음반이 직접 판매되지도 않았지만 유튜브 동영상과 페이스북, 트위터 등 소셜미디어의 확산으로 자연스럽게 불이 붙었다. 

◇유럽 작곡가+美댄서 함께한 ‘글로벌 프로젝트’, 소녀팬 ‘열광’

유럽에서 일고 있는 K-POP 열풍은 일본, 중국 등 아시아의 한류와는 뚜렷한 차이가 있다. 

유럽과 일본 모두 10~20대 여성이 팬들의 주류를 이룬다는 점은 공통적이다. 
하지만 일본은 소녀시대 카라 등 걸 그룹들이 인기가 높은 반면 유럽은 샤이니 슈퍼주니어 등 남성 아이돌 그룹에 대해 높은 관심을 보였다. 일본 팬들은 ‘소녀시대’처럼 되고 싶은 마음이 크다면, 유럽 팬은 남성 아이돌 그룹에게 ‘남성적 매력’을 느끼는 듯 했다. 

프랑스의 한류 팬클럽 ‘코리아 커넥션’의 회장 막심 파케씨는 “K-POP은 15~25세의 여성들에게 큰 인기를 끌고 있다”며 “K-POP팝은 한국 문화에 대한 관심을 높이는 도구로 이제 시작단계”라고 말했다. 

K-POP의 인기는 유럽 작곡가들의 꾸준한 참여에서도 실감할 수 있다. 소녀시대 ‘훗’은 덴마크 작곡가들이, ‘소원을 말해봐’는 노르웨이의 작곡가 그룹 ‘디자인 뮤직’이 만들었다. 

에스엠의 음악은 북유럽 작곡가들이 만든 노래에 한국 가사를 붙여 편곡했고, 미국 안무가들이 춤을 만든 글로벌 제품이다. 

‘디자인 뮤직’의 로빈 옌센씨는 “유럽 음악이 전반적으로 어두운 반면 K팝은 춤, 노래, 연기까지 모든 면에서 완벽성을 추구한다는 점이 매력”이라고 말했다. 

유럽에서 찾을 수 없는 기획형 아이돌 트레이닝시스템도 인기 요인으로 꼽힌다. 에스엠은 3~7년 후에 바뀔 외모와 목소리를 시물레이션으로 분석해 연습생을 선발하고, ‘인 하우스 트레이닝’ 시스템을 통해 노래, 작곡, 외국어까지 공부를 시킨다. 

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이수만 에스엠 회장은 “세상의 가치 있는 다이아몬드도 처음 시작은 원석”이라며 연습생 선발의 중요성을 강조했다. 

로빈 옌센씨는 “유럽에는 에스엠과 같이 오랜 기간 아티스트들에게 투자하는 문화가 없다”며 “어린 인재를 뽑는 TV 프로그램이 있지만 길어야 1~2년 트레이닝을 시킨다”고 설명했다.

◇아시아 이민자들로부터 관심 증가…日문화 영향도 

파리에서 만난 유럽인들은 한류의 인기 요인을 크게 세 가지로 분석했다. 

첫째는 2004년 박찬욱 감독의 영화 ‘올드보이’가 칸 영화제 심사위원 대상을 수상하면서 한국에 대한 관심이 높아졌고, 둘째 일본 드라마, 음악에 대한 관심이 한국 문화로 옮겨왔다는 것. 마지막으로 아시아,중동으로부터 이민자들이 늘면서 그들에게 인기가 있던 한류가 자연스럽게 유입됐다고 판단했다.

프랑스는 일본 만화가 가장 많이 팔리는 해외 시장으로 알려져 있다. 오래 전부터 프랑스 사람들은 일본 문화에 매료돼 정기적인 모임은 물론 전시회, 공연 등의 행사를 벌여왔다. 관심이 동양권으로 확대되면서 한국 아이돌 가수들이 일본 아이돌의 ‘닮은 꼴’이란 점도 영향을 미쳤다.

프랑스는 유럽 국가 중 대표적인 다민족 국가다. 베트남, 중국 등의 아시아와 레바논 등 중동 이민자 가정의 자녀들이 한국 문화콘텐츠를 즐기면서 저변이 형성했다.
소셜미디어의 확산도 어른들이 아닌 ‘그들만의 그룹’을 형성하는 계기가 됐다. 

프랑스 남부에서 온 아나에일 아라실(16)씨는 “페이스북을 통해 남부의 한류 팬들과 교류를 하기 시작했고, 현재는 회원만 100여명에 달한다”며 “앞으로 지속적으로 다른 지역의 한류 커뮤니티와 협력을 목표하고 있다”고 말했다.

◇韓 아닌 에스엠의 시스템…신뢰 보여야 

10~11일 공연장에서는 다양한 MD 상품들 팔렸다. 가수들의 얼굴이 담긴 부채는 6유로,포스터는 10유로, 천으로 만든 가방은 20유로 등을 받았다. 가장 가격이 싼 좌석(51유로)의 절반에 달하는 상품들이 불티나게 팔렸다. 그동안 유튜브 등을 통해 무료로 K-POP을 접했던 이들이 지갑을 열기 시작했다.

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유럽은 오프라인과 아날로그 유통구조가 강한 지역이다. 에스엠은 11일 유럽의 퍼블리셔들을 초청해 ‘2011 SM타운 인 파리 라이터스&퍼블리셔스 콘퍼런스'(2011 SM TOWN in Paris Writers & Publishers Conference)를 열었다. 이날 퍼블리셔들은 이수만 회장의 강연 이후 기랍박수를 치며 성공 가능성이 높다고 평가했다. 

유니버셜 뮤직 퍼블리싱 스웨덴 대표인 펠레 리들씨는 “한국의 아이돌은 종합선물세트같은 존재로, 유럽의 음악과 비교했을 때 독창적이며 마치 미래의 음악을 듣는 것과 같은 인상을 준다”며 “유럽 시장의 성공은 아이돌 트레이닝 시스템이 있기에 가능했다”고 말했다. 

그러나 유럽의 음악 전문가들은 성공요인이 ‘한국의 아이돌 시스템’이 아니라 {에스엠}의 시스템이라고 본다. 유럽 시장에 진출하기 위해서는 K-POP의 인기에 편승하는 게 아니라 JYP, YG 등의 기획사 각자가 가진 시스템에 대해 신뢰를 얻어야 한다는 말이다.

리들 씨는 “”만약 다른 엔터테인먼트 회사가 유럽 시장에 시도했다면 실패했을 가능성이 높다”며 “지난해 에스엠을 처음 접할 때 주위 퍼블리셔들이 어디에 있는 나라인지도 모르는데 무엇을 하겠다는 거냐며 비웃기도 했었다”고 설명했다. 

그는 유럽시장의 K-POP 가능성을 무한하다고 표현했다. 그는 “K팝은 그 자체로 귀에 꽂히는 멜로디를 가지고 있어 정식 음반을 발매해도 좋은 결과를 얻을 수 있을 것”이라며 “K-POP과 함께 한국의 문화를 많이 알려야 한다”고 덧붙였다.

 

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“What’s meant to be will always find a way”

“What’s meant to be will always find a way”

— Trisha Yearwood